Rhode Island songwriter · co-writer · multi-instrumentalist

A good co-write feels like everyone belongs to the song.

I bring hooks, phrases that turn, and more than 200 one-take musical ideas. You bring the thing I could never hear alone.

See open song starts
another chair is open

The Writing Room

Follow what pulls you in.

Most of these began as one take—no edits. An intro, a verse, maybe a chorus, then wherever the music wanted to go.

Press play anywhere. Heart the ones you want to bring into the room.

On the shelves

Ideas in the room

202 one-take ideas

Q3 2026 · Song starts

Ideas with another chair open.

Hooks, stories, and musical foundations with room to become something none of us would have written alone.

The one you don’t dress up

No Wonder There’s Whiskey

Open for co-write
No wonder there’s whiskey…

No flip, no wink, no punchline waiting in the second line. Some nights want the true song.

Read the idea

This is the reason the still got built in the first place: the moment that earns the pour. No cliché, no costume. Just the quiet, honest weight of it, and a glass that understands.

Tongue firmly in cheek

Almost Bro Country

Open for co-write
Got a big hat and I’m standin’ real tall / don’t know much about country at all…

A self-deprecating wink at the genre—close enough to be in on the joke, far enough to know better.

Read the idea

The chorus is the payoff. That part I’ll save for the room. The right co-writer might make the joke land harder—or find the honest thing hiding underneath it.

Illustrated portrait of Scott Quillin wearing a wide-brim hat
Scott QuillinRhode Island

The person in the room

I like songs with a little grin—and enough truth to stay with you.

I’m a multi-instrumentalist singer-songwriter drawn to hooks, phrases that turn, and a little play-on-words. Tongue-in-cheek enough for a Friday night; tender enough for the bedside of someone you love and the long drives to nowhere.

The best co-writes make room for every voice. Not just for a good feeling in the room, but to help the song become the best version of itself.

— Scott

Pull up a chair

Hear something we should finish—or place somewhere?

Tell me which idea caught your ear, bring one of your own, or ask about music for a project.

Co-writes, artist cuts, sync and licensing all begin at the same table.
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